Safa Canalp

Doktorsavhandlingar

• Canalp, S. (2023). Genre Transfer: Indie Music in Istanbul (1990s-2010s). (Doctoral dissertation). Örebro: Örebro universitet.

Konferensbidrag

• Canalp, S. (2018). Emotional alliances: Erdogan‘s celebrities.  Konferensbidrag vid 4th International Celebrity Studies Journal Conference, Sapienza University of Rome, Rome, Italy, June 26-28, 2018.
• Canalp, S. (2018). Relational omnivorousness: a sensitizing device for analyzing sub-genres, fusions and generic associations.  Konferensbidrag vid Progect 3 - Third International Conference on Progressive Rock, Lund University, Lund, Sweden, May 23-25, 2018.
• Canalp, S. (2017). Echoes of Twin Peaks: emergence and development of dark jazz.  Konferensbidrag vid When Jazz Meets Cinema - Centro Studi Opera Omnia Luigi Boccherini (Lucca), Auditorium di Villa Milesi, Lovere (BG), Italy, May 5-7, 2017.
• Canalp, S. (2017). 'Emotional' vs. 'affective' alliances in Turkey's popular music sphere.  Konferensbidrag vid ISCH Annual Conference 2017: Senses, Emotions and the Affective Turn – Recent Perspectives and New Challenges in Cultural History, Umeå University, Umeå, Sweden, June 26-29, 2017.
• Canalp, S. (2017). Towards a notion of subcultural transfer - part 3: circulation of media, and hierarchies of knowledge, taste and behavior.  Konferensbidrag vid Music, Media and Technologies: RMA Study Day, Durham University, Durham, UK, May 20, 2017.
• Canalp, S. (2017). Towards a theory of subcultural transfer - part 2: the great expectations.  Konferensbidrag vid Musical Cultures Conference, University of Hull, Hull, UK, April 3-5, 2017.
• Canalp, S. (2016). Socio-political identity formation in Turkey's indie music scene.  Konferensbidrag vid 29. DVSM-Symposium: Ideologie – Identität – Musik, University of Leipzig, Leipzig, Germany, April 21-24, 2016.
• Canalp, S. (2016). Towards a theory of subcultural transfer in un-popular music studies.  Konferensbidrag vid Fringes, Outsides and Undergrounds: The Aesthetics and Politics of Unpopular Music, Goldsmiths, University of London, London, UK, May 7, 2016.
• Canalp, S. (2015). Building patronage and cult of personality through music authorship: the case of Minik Serçe.  Konferensbidrag vid Authorship in Music: RMA Study Days, University of Oxford, Oxford, UK, March 6-7, 2015.
• Canalp, S. (2015). On the fetish-character in DAWS and the marketing of composition.  Konferensbidrag vid II Congreso Internacional Música y Cultura Audiovisual MUCA, University of Murcia, Murcia, Spain, January 22-24, 2015.
• Canalp, S. (2015). Reading collaborative music database as a public sphere.  Konferensbidrag vid Popular Music Fandom and the Public Sphere: A One Day Symposium, University of Chester, Chester, UK, April 10, 2015.
• Canalp, S. (2014). Record labels' collaboration with the media: genre fetishism through word games.  Konferensbidrag vid One Century of Record Labels: Mapping Places, Stories, and Communities of Sound, Newcastle University, Newcastle, UK, November 6-7, 2014.
• Canalp, S. (2014). Record labels' collaboration with the media: monopolization of the prog and marginalization of the kraut.  Konferensbidrag vid Le rock progressif! Première conférence internationale du réseau ACADPROG, University of Burgundy, France, December 10-12, 2014.