Selected Publications

2026

Broch Ålvik, J. M. (2026). The Complexity of Banality: Neoclassicism and Popular Music in Pauline Hall’s "Suite for Wind Quintet". European Perspectives on the New Objectivity Movement: Entanglements of Music, Poetics, and Ideas in the Interwar Years. Eds. Zucconi, B & Volgsten, U. Cham: Palgrave Macmillan, pp. 129–145.

Georgii-Hemming, E. & Moberg, N. (2026). Relations Matter: Music Education Research Beyond the Self.  Action, Criticism and Theory for Music Education, 25 (2), 98-123. 

Volgsten, U. (2026). Kajsa Rootzén and the record review: Solitary listening to "die Sache selbst". European Perspectives on the New Objectivity Movement: Entanglements of Music, Poetics, and Ideas in the Interwar Years. Eds. Zucconi, B & Volgsten, U. Cham: Palgrave Macmillan, pp. 257–275.

2025

de Boise, S. (2025). Gender disparities in music education and music-making amongst the Swedish adult population. Nordic Research in Music Education, 6, 1–27.

de Boise, S. (2025), "The appeal of musical masculinism within contemporary online far-right spaces." Journal of Gender Studies: 1-14. [advance online publication].

Dobre Billström, R. & Peltola, H. (2025). The work-family reconciliation of self-employed musicians: A scoping review. Music Research Today, Örebro, October 22–24.

Moberg, N. , de Boise, S. , Georgii-Hemming, E. & Han, J. (2025). Research on Power in Musical Practices and Institutions. European Journal of Cultural Studies. 

Volgsten, U. (2025). Solitary Listening, Copyright and Reification during the Interwar Years: A Discourse Theoretic Approach. Twentieth Century Music, 22(2), pp. 171–192.

Volgsten, U. & Zhao, Y. (2025). Attuning to Play: From Being Seized by Music to Ways of Being With. International Review of the Aesthetics and Sociology of Music, 56(2), pp. 215–234.

2024

de Boise, S. (2024), "Musical metapolitics and the Alt-Right." European Journal of Cultural Studies 0, 13675494241285650 [advance online publication].

Dobre Billström, R. (2024). Feministisk handling i musiklivet. Makt: när musik och människor möts. Red. Georgii-Hemming, E. & Moberg, N. Örebro: Musikhögskolan, Örebro universitet, s. 73–88.

Georgii-Hemming, E. (ed.) & Moberg, N. (ed.) (2024). Makt: när musik och människor möts. Örebro: Örebro universitet.

Georgii-Hemming, E. & Moberg, N. (2024). Tid att bilda: om att (o)möjliggöra en kritisk (lärarut)bildning. I: H. Rinholm, Ø. Varkøy, B. Fredriksen och M. H. A. Bjerke, Kritisk danning i lærerutdanningen, ss. 47–67. Oslo: Cappelen Damm Akademisk.

Han, J. (2024). A critical discourse analysis of “(western classical) music theory”. 49th International Systemic Functional Congress (ISFC49), Sydney, July 1–5, 2024.

Han, J. & Zappavigna, M. (2024). Multimodal rhythm in TikTok videos: Exploring a recontextualization of the Gillard ‘misogyny speech’. Multimodality & Society, 4(1), pp. 58–79.

2023

Broch Ålvik, J. M. (2023). "I Hate Vanilla": BDSM, populærmusikk og det dobbelte blikket 11th Annual Kinkferanse, Kristiansand, Norway, October 6–8.

Han, J. & Van Leeuwen, T. (2023). Evaluation and discourse analysis. The Routledge Handbook of Discourse Analysis, London: Routledge, 2023.