About this project
As a key figure in modernist film, Ingmar Bergman has had a tremendous impact on film cultures worldwide. Interpretations of his work vary from religious redemption to erotic explorations. Existing scholarly work on Bergman often maintains a high-art perspective but the reality of reception is much more nuanced. These workshops aim to rewrite Bergmans canonical position in film studies and film history. In line with previous work in the field of New Cinema History, we believe that understanding Ingmar Bergman’s interpretations is also a productive way of understanding how a significant part of film history has been written through a comparative approach. By gathering the contributions of some of the main international representatives working on fields such as film and media history, cultural anthropology, cultural history and cultural studies, the workshop aims also to map different film cultures linked to the reception of Bergman's films. Through a better understanding of these social and geopolitical contexts, we present a valuable contribution to comparative studies so prevalent in contemporary studies in the field of New Cinema History.
The first workshop will take place at Örebro University on April 29th, 2022. Participants are Anna Sofia Rossholm (Sweden), Konrad Klejsa (Poland), Eirik Frisvold Hanssen (Norway), Mariana Amieva (Uruguay), Alejandro Kelly (Argentina), Anders Marklund (Sweden). Our keynote speaker is Jan Holmberg (Sweden), CEO for the Ingmar Bergman Archive.
The organisers for this workshop are Fernando Ramos Arenas (Spain), María Paz Peirano (Chile) and Jono Van Belle (Sweden).