Benedetta Zucconi

Kapitel i böcker, del av antologier

• Zucconi, B. (2023). Bruno Maderna’s Creative Process Between Analysis and Synthesis: About “Don Giovanni” and Other Mozart’s Scores. I: Angela Ida De Benedictis, Utopia, Innovation, Tradition: Bruno Maderna’s Cosmos (ss. 227-243). . Boydell & Brewer.
• Zucconi, B. (2023). In the Beginning Was the Word: Text and Voice as Unifying Elements in Maderna’s Satyricon. I: Angela Ida De Benedictis, Utopia, Innovation, Tradition: Bruno Maderna’s Cosmos (ss. 59-84). . Boydell & Brewer.
• Zucconi, B. (2023). Wie die Schallplattenindustrie ästhetische Normativität konstruiert: Die „Archiv Produktion“, oder die Neuaufstellung der Deutschen Grammophon zwischen musikwissenschaftlicher Forschung und Marketing. I: Tobias Janz, Jens Gerrit Papenburg, Ästhetische Normativität in der Musik (ss. 299-320). . Vittorio Klostermann Verlag.
• Zucconi, B. (2021). Il compromesso dodecafonico: “La donna è mobile” di Riccardo Malipiero (1954), opera buffa su dodici suoni. I: Maria Maddalena Novati, Marina Vaccarini, Riccardo Malipiero – L’antidogmatico (ss. 99-117). Milano: die Schachtel NoMus.
• Zucconi, B. (2021). Il secolo del disco: La cultura degli italiani nel secolo del suono riprodotto. I:  La cultura musicae degli italiani (ss. 369-409). Milan: Guerini e Associati.
• Zucconi, B. (2021). "Phonographic awareness": discussions around recorded sound in early twentieth-century Italy between aesthetic questions and economic struggles. I: Elodie A. Roy, Eva Moreda Rodriguez, Phonographic encounters: Mapping transnational cultures of sound, 1890-1945 (ss. 160-176). New York: Routledge.

Konferensbidrag

• Volgsten, U. & Zucconi, B. (2021). The past as repeatable presence: How music changed from an ephemeral event to an ever accessible object (a comparison between sweden and italy during the interwar years).  Konferensbidrag vid XVII Internationaler Kongress der Gesellschaft für Musikforschung, Bonn, 28.09.2021 - 01.10.2021.
• Volgsten, U. & Zucconi, B. (2021). The past as repeatable presence: how music changed from an ephemeral event to an ever accessibleobject: a comparison between Sweden and Italy during th interwar years. I:  Musikforskning idag 2021 15–16 juni 2021 Program och abstrakt. Konferensbidrag vid Musikforskning idag, [DIGITAL], 15-16 juni, 2021. Stockholm: Svenska samfundet för musikforskning.