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Sam de Boise

Befattning: Universitetslektor Organisation: Musikhögskolan

E-post: sam.deboise@oru.se

Telefon: 019 302334

Rum: M3214

Forskningsämne

Musikvetenskap

Forskningsmiljöer

Om Sam de Boise

Sam de Boise är Docent i musikvetenskap och ämnesansvarig. Han arbetade som medieforskare från 2008-2009 innan han disputerade i sociologi, vid University of Leeds, 2012. Från 2012-2014 arbetade han som lärare i sociologi och socialpsykologi vid Sociologiska institutionen vid University of York. Han började på Musikhögskolan vid Örebro Universitet augusti 2014.

Sam de Boise har forskat mest om musik och genus, jämställdhetsfrågor inom musik och musiksociologiska perspektiv. Han är författare till boken Men, Masculinity, Music and Emotions (2015) och är medredaktör till tidskriften NORMA: International Journal for Masculinity Studies.

Sam undervisar inom Ämneslärarprogrammet samt Musik, kultur och medier och är programansvarig för Masterprogrammet i musikvetenskap - Musiken och människan.

Pågående projekt

Avslutade projekt

Forskargrupper

Publikationer

Artiklar i tidskrifter

de Boise, S. (2024). Enculturating men, cultivating masculinity. Norma, 1-6.
de Boise, S. (2023). Varför påverkar musiken människor?. Ikaros: tidskrift om människan och vetenskapen, 20 (4), 29-33.
de Boise, S. (2022). Changing men, changing masculinities. Norma, 17 (4), 213-218.
de Boise, S. (2022). Digitalization and the Musical Mediation of Anti-Democratic Ideologies in Alt-Right Forums. Popular music and society, 45 (1), 48-66.
Wojnicka, K. , Mellström, U. & de Boise, S. (2022). On war, hegemony and (political) masculinities. Norma, 17 (2), 83-87.
de Boise, S. (2021). Music and misogyny: A content analysis of misogynistic, antifeminist forums. Popular Music, 39 (3-4), 459-481.
de Boise, S. (2021). Thinking about risk and vulnerability in CSMM. Norma, 16 (3), 139-143.
Werner, A. , Gadir, T. & de Boise, S. (2020). Broadening research in gender and music practice. Popular Music, 39 (3-4), 636-651.
Lindblad, K. & de Boise, S. (2020). Musical engagement and subjective wellbeing amongst men in the third age. Nordisk tidskrift for musikkterapi - Nordic Journal of Music Therapy, 29 (1), 20-38.
de Boise, S. & McClary, S. (2019). An Interview with Professor Susan McClary: The Development of Research on Gender and Music. Per Musi: Scholarly Music Journal, 39.
de Boise, S. (2019). Editorial: is masculinity toxic?. Norma, 14 (3), 147-151.
de Boise, S. (2019). Tackling gender inequalities in music: A comparative study of policy responses in the UK and Sweden. The International Journal of Cultural Policy, 25 (4), 486-499.
de Boise, S. (2018). Gender Inequalities and Higher Music Education: Comparing the UK and Sweden. British Journal of Music Education, 35 (1), 23-41.
de Boise, S. (2018). The personal is political … just not always progressive: Affective interruptions and their promise for CSMM. Norma, 13 (3-4), 158-174.
de Boise, S. & Hearn, J. (2017). Are men getting more emotional?: Critical sociological perspectives on men, masculinities and emotions. Sociological Review, 65 (4), 779-796.
de Boise, S. (2016). Contesting ‘sex’ and ‘gender’ difference in emotions through music use in the UK. Journal of Gender Studies, 25 (1), 66-84.
de Boise, S. (2016). Post-Bourdieusian Moments and Methods in Music Sociology: Toward a Critical, Practice-Based Approach. Cultural Sociology, 10 (2), 178-194.
de Boise, S. (2015). I’m Not Homophobic, “I’ve Got Gay Friends”: Evaluating the Validity of Inclusive Masculinity. Men and Masculinities, 18 (3), 318-339.
de Boise, S. (2014). Cheer up emo kid: rethinking the ‘crisis of masculinity’ in emo. Popular Music, 33 (2), 225-242.
de Boise, S. (2014). Learning to Be Affected: Masculinities, Music and Social Embodiment. Sociological Research Online, 19 (2).
de Boise, S. (2013). Patriarchy and the Crisis of Masculinity. New Left Project.
de Boise, S. (2012). The Coming Crisis?: Some Questions for the Future of Empirical Sociology in the UK. Graduate Journal of Social Science, 9 (2), 40-64.

Artiklar, recensioner

Böcker

de Boise, S. (2015). Men, masculinity, music and emotions. London: Palgrave Macmillan.

Kapitel i böcker, del av antologier

de Boise, S. (2023). Emotions and affect in organizing men and masculinity/ies. I: Jeff Hearn, Kadri Aavik, David L. Collinson, Anika Thym, Routledge Handbook on Men, Masculinities and Organizations. London: Routledge.
Hearn, J. , de Boise, S. & Goedecke, K. (2023). Men and Masculinities: Structures, Practices, and Identities. I: Eileen L. Zurbriggen; Rose Capdevila, The Palgrave Handbook of Power, Gender, and Psychology (ss. 193-213). Cham: Palgrave Macmillan.
de Boise, S. , Edmond, M. & Strong, C. (2022). Gender and Popular Music Policy. I: Shane Homan, The Bloomsbury Handbook of Popular Music Policy. London: Bloomsbury Academic.
de Boise, S. (2022). The Affective Appeal of Nature for Masculinist Movements. I: Ulf Mellström and Bob Pease, Posthumanism and the Man Question: Beyond Anthropocentric Masculinities (ss. 21-32). Abingdon: Routledge.
de Boise, S. (2020). Men, masculinities and music. I: Lucas Gottzén, Ulf Mellström, Tamara Shefer, Routledge International Handbook of Masculinity Studies (ss. 414-424). London: Routledge.
de Boise, S. (2019). Gender Mainstreaming in the Music Industries: Perspectives from Sweden and the UK. I: Catherine Strong and Sarah Raine, Towards Gender Equality in the Music Industry: Education, Practice and Strategies for Change (ss. 117-130). London: Bloomsbury Academic.
de Boise, S. (2019). The Performing Rights of Man: The Global Music Industries and Transnational Hegemonies of Men. I: Jeff Hearn, Ernesto Vasquez del Aguila, Marina Hughson, Unsustainable Institutions of Men: Transnational Dispersed Centres, Gender Power, Contradictions (ss. 155-171). Abingdon: Routledge.
de Boise, S. & Dobre Billström, R. (2016). Playing with Gender: Toward Critical, Transnational Perspectives on Music and Gender. I: Antenor Ferreira Corrêa, Music in an intercultural perspective (ss. 25-40). Brasilia: Strong Edições.

Konferensbidrag

Övrigt

de Boise, S. (2022). Socio-Economic Background and Today’s HMEIs.
de Boise, S. (2021). Music and Online Far-Right Extremism.